Format Innovation Model
Cultural Dimensions

The building blocks of format innovation
The Format Innovation Model comprises four cultural and four political-economic dimensions. The key cultural factors are explained below.

Uncertainty avoidance
tends to have an inhibiting effect. This is evident among broadcasters and streamers who have to make decisions about developing a new format or purchasing an established one. In countries with a high degree of uncertainty avoidance, this choice leads to stress, such as the fear of losing one’s job, which inhibits innovation.

Anglo-Saxon affinity
stimulates format innovation and increases the likelihood of scalability. The more a culture aligns with Anglo-Saxon culture and the English language, the easier cultural exchange takes place and format ideas spread.

Indulgence
describes the extent to which a culture accepts deviant social behaviour. The more indulgent a culture, the more scope there is for new forms of content, including original formats.

The public domain
plays a significant role in format innovation. Depending on the public value attributed to formats, public broadcasters may or may not invest in the development of original formats.
Political-Economic Dimensions

The political and economic forces behind format innovation.
The political and economic factors influencing format development are explained below.

Market size
plays a significant role. Large markets can hinder original format development because the financial risks are high, whilst very small markets leave little scope for format innovation. The ideal situation arises in medium-sized markets, where there is a demand for content and the financial resources are available, whilst the risks remain manageable.

Competition
acts as a stimulant. In highly competitive markets, broadcasters and streamers are more willing to take risks, which increases the likelihood of original format development.

Vertical integration

The terms of trade
Format Innovation in an international context
The Format Innovation Model has been applied to twelve countries that play a central role in the development and export of television formats. For each country, enabling and hindering factors are analysed, thereby explaining differences in innovative productivity.